Further Australian Discography:
Richard Clapton, Mondo Rock, Ross Wilson solo projects, Mental As Anything, Jenny Morris (with INXS) John Farnham Renee Geyer, Nick Barker & the Reptiles, Paul Norton, Tuff Monks ( Nick Cave & the Go Betweens) Peter Blakely, Slim Dusty, Shane Howard, Neil Murray & Warumpi band.

Not only is Mark Moffatt one of the most experienced and successful producers to emerge from Australia, he is also an accomplished musician (guitar, pedal steel), engineer, and writer.

A musician since leaving school, he honed his engineering and production skills in London while working as a session guitarist.
In 1980, he took a position as director of artist development/house producer with Rupert Murdoch’s Festival Records, Australia’s largest independent record label, with 25% of the market. That year saw Mark’s first nomination as “Best Producer” and the beginning of steady chart success through the eighties and nineties.

At the 1995 ARIA (Grammy equivalent) awards, seven of the fifteen awards went to artists produced by Mark. In addition to mainstream success, he still manages to work with a wide spectrum of artists and bands in Australia, the UK, and the US, and he has been a driving force in the development of country music in Australia. He is continuously featured in reader and industry polls, including the Rolling Stone “Best Producer” and ARIA “Producer of the Year ” categories.

Milestone credits include the Saints’ seminal punk track (I’m) Stranded, and Yothu Yindi’s Treaty, the first Aboriginal record to reach the Top 5. As a writer he has had three #1 Australian singles, and two UK & European top ten singles.

Other major credits include the Divinyls, Midnight Oil ( solo projects ), Neil & Tim Finn (Split Enz / Crowded House), Tony Joe White, Stacey Earle and Deana Carter. Mark shares production credits on Leslie Mills' debut album "Different For Girls" (Atlantic NY) with John Shanks and the Dust Brothers.

An offer in August 1996 to sign with Ten Ten Music as a writer provided the long-awaited opportunity to move to Nashville. As director of A&R with Ten Ten until January 2000, Mark worked extensively in the development of Stacey Earle and Keith Urban. He is a graduate of the prestigious Leadership Music programme, and continues to base his international production activities in Nashville.